Relates a conversation with Peter Rothermel on the need to nurture an “American School of Design,” with sharp criticisms of the deleterious effects of European study on budding talent as seen in Emanuel Leutze’s latest work.
“[Rothermel] during the evening suggested one thing as tending peculiarly to build up an American School of Design without the extraneous influences that all young men going abroad are subject too. it was that an embargo to prevent the leaving of artists for abroad, for a space of 50 years, be put in operation, thus causing their productions to be pure emanations of their own early & intuitive feeling…”
