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Acquittal of Printer John Peter Zenger in Colonial New York Establishes Foundation for American Freedom of the Press
[JOHN PETER ZENGER],
The Trial of John Peter Zenger, Of New-York, Printer: Who was charged with having printed and published a Libel against the Government; and acquitted. With a Narrative of his Case. To which is now added, being never printed before, The Trial of Mr. William Owen, Bookseller, near Temple-Bar, Who was also Charged with the Publication of a Libel against the Government; of which he was honourably acquitted by a Jury of Free-born Englishmen, Citizens of London, 1st ed. London: John Almon, 1765. Three-quarter olive calf, red morocco spine label, stamped in blind and in gilt, over marbled paper-covered boards; some sunning to leather; all edges trimmed. 60 pp., 5 x 8.25 in.
“It is not the cause of a poor printer...it is the cause of liberty.”
This volume, printed in London three decades after John Peter Zenger’s trial, illustrates the continuing relevance of his acquittal to the freedom of the press. The volume also includes the story of William Owen, a London bookseller, who had been prosecuted for libel at the request of the House of Commons in 1752. Like Zenger, Owen was also acquitted by a jury.
John Almon, a publisher and bookseller known for his commitment to the freedom of the press, printed the volume as part of his challenge to governmental censorship of the press. In the same year that Almon published this pamphlet, the attorney general prosecuted him for the publication of a pamphlet entitled Juries and Libels, but the prosecution failed.
Item #27745, $3,500
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Thomas Jefferson’s Unique, Personally Assembled Seven-Volume Set of the Works of Greek Tragedian Aeschylus
THOMAS JEFFERSON,
Signed or owned books. The Works of Aeschylus. Illustrated with engraved plates from the French du Thiel edition. Original marbled tan calf, stamped in gilt, spines and joints professionally restored to style; marbled edges, matching marbled endpapers; by Frederick A. Mayo, Richmond, Virginia, and with his binder’s ticket on front paste-down of each volume. The volumes are housed in seven individual fall-down-back archival boxes, enclosed in a single slipcase. The binder’s tools used during restoration are included in a matching fall-down-back box.
Jefferson chose specific editions of the works of Aeschylus in English, French, Greek, and Latin, and had them cut up and rebound to make this unique set of seven volumes. In addition to ten of his customary ownership autograph initials (on signatures “I” and “T” throughout the set) parts of four title-pages have autograph amendments by Jefferson and there are approximately 18 marginal autograph annotations, presumably made by him (largely in Vols. IV and V).
This was the second time Jefferson owned these translations. The first set he acquired was sold to Congress as part of his library in 1815.
Item #27809, SOLD — please inquire about other items
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