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Abraham Lincoln and Ulysses S. Grant Portraits by William E. Marshall
[ABRAHAM LINCOLN; ULYSSES S. GRANT],
William E. Marshall, Engraved Prints: “Abraham Lincoln,” New York, 1866, 20 x 25⅝ in. framed to 28½ x 35 in. And “Gen. U. S. Grant,” New York, 1868, 17⅛ x 22½ in., framed to 26 x 31¼ in. Ex Louise Taper Collection.
Considered the “finest line-engraving” of Lincoln, Marshall created this in 1866 from his painting of the martyred President. In November 1866, Ticknor and Fields of Boston announced that they would publish Marshall’s engraving on a subscription basis.
Item #26757, SOLD — please inquire about other items
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Pulling Down New York’s Statue of King George III
[American Revolution],
La Destruction de la Statue Royale a Nouvelle Yorck.... Paris: François Xavier Habermann, [ca. 1776], engraving was done in Paris, but the title was printed in German, a testament to wider European interest in events in America. Hand-colored. Light fold lines. Approx.18 x 11-7/8 in. There was no sketch artist on hand, so Vue d’optique images like this show entirely imagined views.
After the Declaration of Independence was read to the Continental Army in New York on July 9, 1776, a boisterous crowd of soldiers, sailors and citizens headed to the huge gilt lead equestrian statue of King George III which had been installed on Bowling Green only six years earlier. The crowd toppled his Majesty, who then made his first Broadway appearance before being carted to Connecticut. The head was rescued by Tory sympathizers, and later spotted in the home of Lord Townshend. The rest of the King and the horse he rode in on was melted down. In a truly epic burn, Ebenezer Hazard remarked that the redcoats “will probably have melted majesty fired at them.” Indeed they did; the sculpture was used to make 42,088 bullets.
Item #21297.99, SOLD — please inquire about other items
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Period Oil Portrait of William H. Seward Wonderfully Executed
[WILLIAM H. SEWARD],
Oil Bust Portrait of Secretary of State William H. Seward, ca. 1864. Oil on board, 11 x 14 in. oval; framed to 17 x 20 in.
Item #25611, SOLD — please inquire about other items
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Very Rare and Possibly Unique Political Print of Abraham Lincoln
[ABRAHAM LINCOLN]. GABRIEL KAEHRLE,
Print. “Abraham Lincoln,” with excerpt from First Inaugural Address, ca. 1861-1864. 9¾ x 12 in.
An unusual and possibly unique Lincoln portrait above patriotic banners and a quotation from his first inaugural address.
Item #25613, SOLD — please inquire about other items
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The Declaration of Independence – Replica of Mary Katharine Goddard’s 1777 Broadside
[DECLARATION OF INDEPENDENCE],
Broadside. Limited edition replica by Mindy Belloff, 100 copies. New York: Intima Press, 2010, printed in black and brown, hand set in Caslon & letterpress. With Essays, printed in blue and red. Both printed on handmade cotton & linen paper custom made by Katie MacGregor, Maine. 1 p., 16 x 21 in.
Item #25431, SOLD — please inquire about other items
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Paul Revere’s Iconic Boston Massacre Print
PAUL REVERE,
Engraving. “The Bloody Massacre perpetrated in King-Street Boston on March 5th 1770 by a party of the 29th Reg.” Printed by Edes & Gill, Boston, Mass., 1770. First edition, second state (clock showing 10:20), original hand coloring. 1 p., LVG watermark, 9⅝ x 12 in.
Revere’s print quickly became one of the most successful examples of political propaganda of all time. The depiction of the event, and a poem printed below, vilify the British Army and list the first casualties of the American Revolution: “Unhappy Boston! see thy Sons deplore, Thy hallow’d Walks besmear’d with guiltless Gore...The unhappy Sufferers were Mess[ieur]s Saml Gray, Saml Maverick, Jams Caldwell, Crispus Attucks & Pat[ric]K Carr Killed. Six wounded; two of them (Christr Monk & John Clark) Mortally...” Rushed into print less than a month after the event, Revere’s print helped unite the colonists and, in American minds, cast the British as aggressive oppressors— making rebellion easier to justify.
Item #25697, SOLD — please inquire about other items
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