“A Prince, whose character is thus marked by every act which may define a Tyrant, is unfit to be the ruler of a free people”

Financier of the Revolution forced into bankruptcy court: “Sixty days after date, I promise to pay unto Mr. Mathias Kurlin Junr or Order Thirteen Hundred & forty six Dolls & Sixty Seven Cents for value recd.”

“our rights have been sported with—our property seized—our laws mocked at—our citizens imprisoned, impressed and murdered—our national flag has been bathed in our own waters made red with the blood of our citizens…”

Speech by Democratic-Republican stalwart John Binns praising the heroes of the Founding Era and encouraging support for James Madison’s administration against the insults of European belligerents. The nationalism to which he appeals erupted two years later in a declaration of war against the United Kingdom and the beginning of the War of 1812.

“To Thomas Jefferson, Patron of the Arts, the firm Supporter of American Independence, and the Rights of Man, this Charter of Freedom is, with the highest esteem, most Respectfully Inscribed by his much Obliged and very Humble Servant Benjamin Owen Tyler.”

Benjamin Owen Tyler’s engraving was the first decorative print of the Declaration. A self-taught calligrapher and instructor of penmanship, Tyler copied and designed the text of the Declaration, and made exact copies (facsimilies) of the signatures from the engrossed manuscript. The exactness of his work is particularly impressive given the limitations of copying them freehand prior to engraving on a copper plate. Richard Rush, son of the signer Benjamin Rush and acting Secretary of State in 1817, gave a strong endorsement which is printed on the bottom left corner.

Thomas Jefferson, John Adams, James Madison, John Quincy Adams, Henry Clay, John Calhoun, and Daniel Tompkins are among the many notables who ordered copies in advance.

Tyler’s subscription book was donated by Albert Small to the University of Virginia, and now can be viewed online. After extensive study, we count approximately 1650 orders for copies on paper at $5 each, and 40 for copies on vellum at $7 each. 3 noted special orders on silk, 2 of which are known to survive. Only 3 were ordered on linen, of which this is the only copy known to survive. Silk and linen copies also apparently cost $7 each. The three purchasers of premium copies on linen were John G.[?] Camp, Buffalo, N.Y., J. C. Spencer, Canandaigua, NY and John Savage, Salem, N.Y. We don’t know which of the original subscribers ours belonged to, but it does have distinguished provenance, selling in 1979 in the Nathaniel E. Stein auction at Sotheby Parke Bernet, January 30, 1979, lot 47. Stein also owned Tyler’s subscription book, lot 46.

“In Congress, July 4th 1776. The Unanimous Declaration of the thirteen United States of America.”

Scarce early engraving of the Declaration of Independence.

The intricate design of this handkerchief features images of Washington, Adams, and Jefferson, beneath an eagle and flags. In the center appears the text of the Declaration of Independence, together with facsimiles of the signatures. An oak wreath with acorns surrounds the text and features images of the seals of the thirteen original states. An image at lower left depicts the Boston Tea Party with the caption, “The Patriotic Bostonians discharging the British Ships in Boston harbour.” An image at lower right depicts “General Burgoyne’s Surrender to General Gates at Saratoga.” Around the edge runs a stars and rope border with anchors at each corner and at the center of each side. The design was printed with red ink using a copper plate.

The design draws much from prints of the Declaration of Independence by William Woodruff, published in February 1819, and John Binns, published in October 1819.

“IN CONGRESS, JULY 4, 1776. The unanimous Declaration of the thirteen united States of America.”

“The influence, we are now able to wield, is a sacred trust, which should be exercised firmly, discreetly, in conformity with the Laws of Nations & with an anxious eye to the peace of the world, so as always to promote the great cause of Human Rights. Our example can do much”

The July 8, 1876 issue of Harper’s Weekly, containing a supplement celebrating the 100th anniversary of the Declaration of Independence, complete with a centerspread facsimile of one of Jefferson’s draft manuscripts and the signatures of the signers, along with related engravings.