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Prints

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The Declaration of Independence – Replica of Mary Katharine Goddard’s 1777 Broadside

[DECLARATION OF INDEPENDENCE], Broadside. Limited edition replica by Mindy Belloff, 100 copies. New York: Intima Press, 2010, printed in black and brown, hand set in Caslon & letterpress. With Essays, printed in blue and red. Both printed on handmade cotton & linen paper custom made by Katie MacGregor, Maine. 1 p., 16 x 21 in.

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Item #25431, $950

N.Y. “Sons of Freedom” Pull Down Statue of King George III

[Revolutionary War], Large Engraving, “Pulling Down the Statue of George III, By the Sons of Freedom, At the Bowling Green City of New York July 1776,” 34” x 25,’ uncolored, titled after a painting by Johannes Adam Simon Oertel and engraved by John C. McRae, 1859.

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After the Declaration of Independence was read to the Continental Army in New York on July 9, 1776, a boisterous crowd of soldiers, sailors and citizens headed to the huge gilt lead equestrian statue of King George III which had been installed on Bowling Green only six years earlier. The crowd toppled his Majesty, who then made his first Broadway appearance before being carted to Connecticut. The head was rescued by Tory sympathizers, and later spotted in the home of Lord Townshend. The rest of the King and the horse he rode in on was melted down. In a truly epic burn, Ebenezer Hazard remarked that the redcoats “will probably have melted majesty fired at them.” Indeed they did; the sculpture was used to make 42,088 bullets.

Item #24461, $1,600

Rare Important Declaration of Independence Linen Handkerchief

DECLARATION OF INDEPENDENCE, Printed Cotton Handkerchief, ca. 1821. 31 x 33 in., framed to 35¼ x 37½ in.

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The intricate design of this handkerchief features images of Washington, Adams, and Jefferson, beneath an eagle and flags. In the center appears the text of the Declaration of Independence, together with facsimiles of the signatures. An oak wreath with acorns surrounds the text and features images of the seals of the thirteen original states. An image at lower left depicts the Boston Tea Party with the caption, “The Patriotic Bostonians discharging the British Ships in Boston harbour.” An image at lower right depicts “General Burgoyne’s Surrender to General Gates at Saratoga.” Around the edge runs a stars and rope border with anchors at each corner and at the center of each side. The design was printed with red ink using a copper plate.

The design draws much from prints of the Declaration of Independence by William Woodruff, published in February 1819, and John Binns, published in October 1819.

Item #26474, $28,000

Paul Revere’s Iconic Boston Massacre Print

PAUL REVERE, Engraving. “The Bloody Massacre perpetrated in King-Street Boston on March 5th 1770 by a party of the 29th Reg.” Printed by Edes & Gill, Boston, Mass., 1770. First edition, second state (clock showing 10:20), original hand coloring. 1 p., LVG watermark, 9⅝ x 12 in.

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Revere’s print quickly became one of the most successful examples of political propaganda of all time. The depiction of the event, and a poem printed below, vilify the British Army and list the first casualties of the American Revolution: “Unhappy Boston! see thy Sons deplore, Thy hallow’d Walks besmear’d with guiltless Gore...The unhappy Sufferers were Mess[ieur]s Saml Gray, Saml Maverick, Jams Caldwell, Crispus Attucks & Pat[ric]K Carr Killed. Six wounded; two of them (Christr Monk & John Clark) Mortally...” Rushed into print less than a month after the event, Revere’s print helped unite the colonists and, in American minds, cast the British as aggressive oppressors— making rebellion easier to justify.

Item #25697, $345,000
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