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Christmas Presents

[HARPER’S WEEKLY], Newspaper. Harper’s Weekly, December 30, 1865.

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Item #H-12-30-1865, $250

The Statue of Liberty

[HARPER’S WEEKLY], Newspaper. Harper’s Weekly, November 27, 1875. 16 pp., complete, disbound.

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Item #H-11-27-1875, $295

New England Factory Life

[HARPER’S WEEKLY], Newspaper. Harper’s Weekly, July 25, 1868.

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Item #H-7-25-1868, $350

A Harlequin Duck by Audubon

JOHN JAMES AUDUBON, Print. Harlequin Duck, [1871]. 14 x 12 in. framed.

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Best known for his seminal Birds of America, Audubon’s prints are among the world’s most recognized images.

Item #22114.03, $350

Picasso Anti-War Image Used to Promote Vietnam War Protest

PABLO PICASSO. VIETNAM WAR, March Against Death, March on Washington. Washington, DC: New Mobilization Committee, November 13, 1969. Two-color poster, illustrated with a Picasso image, by permission of the artist. 23 x 15 inches. Very fine.

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Picasso donated a pen and ink “machines of war” drawing that served as the basis of this print to use in promoting the anti-war march planned for November 13-15, 1969. 250,000 or more people attended the march.

Item #22462, $1,200

N.Y. “Sons of Freedom” Pull Down Statue of King George III

[Revolutionary War], Large Engraving, “Pulling Down the Statue of George III, By the Sons of Freedom, At the Bowling Green City of New York July 1776,” 34" x 25", uncolored, titled after a painting by Johannes Adam Simon Oertel and engraved by John C. McRae, 1859.

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After the Declaration of Independence was read to the Continental Army in New York on July 9, 1776, a boisterous crowd of soldiers, sailors and citizens headed to the huge gilt lead equestrian statue of King George III which had been installed on Bowling Green only six years earlier. The crowd toppled his Majesty, who then made his first Broadway appearance before being carted to Connecticut. The head was rescued by Tory sympathizers, and later spotted in the home of Lord Townshend. The rest of the King and the horse he rode in on was melted down. In a truly epic burn, Ebenezer Hazard remarked that the redcoats “will probably have melted majesty fired at them.” Indeed they did; the sculpture was used to make 42,088 bullets.

Item #24461, $1,600

A Ruff-Necked Hummingbird by Audubon

JOHN JAMES AUDUBON, Print. Ruff-Necked Hummingbird, [1871].

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Best known for his seminal Birds of America, Audubon’s prints are among the world’s most recognized images.

Item #22114.02, $1,750

Uncle Tom’s Cabin Advertised by Local Maine Drama Club

[HARRIET BEECHER STOWE], Broadside. Uncle Tom’s Cabin playbill. Announcing performance by the Prospect Harbor, Maine, Dramatic Club, managed by E.W. Cleaves. Ca. 1890s. 1 p., 15⅜ x 27⅜ in.

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Item #24716, $1,800

Congressmen Who Signed Thirteenth Amendment Abolishing Slavery

[THIRTEENTH AMENDMENT], Photomontage of the Congressional supporters of the Thirteenth Amendment, which ended slavery in the United States. Composite oval albumen photograph, 13¾ x 16 in., credited in negative, on the original mount, 18⅛ x 20¼ in. New York: G. M. Powell and Co., 1865. Manuscript annotation on verso: “George May Powell / Great National Picture / Photograph of Members of United States House of Representatives and the Senate who voted Aye on Resolution to amend the Constitution of the United States so as to prohibit slavery. Passed Senate April 1864. Passed House of Representatives January 1866 [1865]. Abraham Lincoln – president.”

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Neither slavery nor involuntary servitude,...shall exist within the United States....

Item #27106, $1,950

Illustrator Frank Leslie Publishes Fanciful Grand Reception of Civil War Notables as a Subscription Premium

[ABRAHAM LINCOLN], Lithograph. “Grand Reception of the Notabilities of the Nation, at the White House 1865,” New York: Frank Leslie, [April] 1865. 1 p., 19 x 23¾ in.

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Frank Leslie published this print as a premium for his new family magazine, Frank Leslie’s Chimney Corner, and copyrighted it on April 8, 1865, just a week before Lincoln’s death. The image, created by engraver Henry B. Major and lithographer Joseph Knapp, portrays Lincoln, flanked by the First Lady and Vice President Andrew Johnson, greeting Julia Dent Grant, wife of Lieutenant General Ulysses S. Grant who stands nearby.

According to a notice printed at the bottom right corner, “Every Person who pays Ten Cents each for numbers 1 and 2 of Frank Leslie’s Chimney Corner, The New Family Paper, is entitled to a copy of this PLATE without extra charge,” or individuals could purchase the print for $3.

Item #25618, $2,000

Abraham Lincoln: Large 1861 Inauguration Chromolithograph

[ABRAHAM LINCOLN], Chromolithograph. Presidents of the United States, [Philadelphia]: Published by F. Bouclet, lithographed by A. Feusier. Sheet size: 21 in. x 27 in. Image size: 24½ in. x 18¾ in.

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Item #25965, $2,600

“Copperheads Vigorously Prosecuting Peace: Is it the Peace YOU Want?”

[CIVIL WAR], Broadside, “Copperheads Vigorously Prosecuting Peace. Is it the Peace You Want?” c. March 1863. 1 p., 15½ x 23½ in.

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Read what they say…  Abraham Lincoln has usurped power, violated the Constitution, and put in peril the liberties of the people, but Jeff. Davis has not…. The South may make war on the North, but the North must not defend itself.... They have not a word to say in behalf of the Union, and our own imperiled liberties…

The Peace Democrats, or Copperheads, were a vocal minority of Northern Democrats who opposed the Civil War and the administration of President Abraham Lincoln, and were willing to recognize an independent Confederacy. This anti-Copperhead broadside, probably printed for the 1863 Connecticut gubernatorial, turns the resolutions of the February 1863 Hartford Convention against the Copperheads.

At top, a caricature shows Copperheads attacking Lady Liberty, who is holding a Union shield. First published in Harper’s Weekly on February 28, 1863, over the title, “The Copperhead Party.—In Favor of a Vigorous Prosecution of Peace!” this cartoon came to symbolize all those who opposed the Lincoln administration’s conduct of the war.

Item #23005, ON HOLD

“John Bull and the Baltimoreans” Lampooning British Defeat at Fort McHenry in Baltimore Following their Earlier Success at Alexandria

[WAR OF 1812]. WILLIAM CHARLES, Print. John Bull and the Baltimoreans. Satirical engraved aquatint cartoon. Philadelphia, Pennsylvania [October, 1814]. 1 p., 12½ x 9 in. Frame: 18¾ x 15 in.

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Mercy! mercy on me. What fellows those Baltimoreans are. After the example of the Alexandrians I thought I had nothing to do but enter the Town and carry off the Booty. And here is nothing but Defeat and Disgrace!!

A masterpiece of design and composition.

Item #25448, $3,400

Currier & Ives Cartoon Mocks Stephen Douglas for Campaigning in 1860

[STEPHEN A. DOUGLAS], “Taking the Stump, or Stephen in Search of His Mother,” Printed Political Cartoon. New York: Currier & Ives, 1860. 1 p., 17 x 13½ in.

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This Currier & Ives political cartoon depicts Stephen A. Douglas, hat in hand, wearing a wooden leg and saying, “Gentlemen ‘I’m going to see my mother,’ and solicit a little help, for in running after a nomination, I fell over a big lump of Breckenridge, and have been very lame ever since.” Democratic Virginia Governor Henry A. Wise responds, “He looks like a smart little man, and if I were not Wise, I’d go my pile on him.” Behind Wise, Constitutional Union Party candidate John Bell says, “I think I’ll give him a trifle in New York currency.” In the background to the right, Southern Democratic candidate John C. Breckinridge stands with a cane and bandaged foot, and President James Buchanan offers him a wooden leg as well, saying, “Here, Breck, as Dug has taken the stump, you must stump it too.” Breckinridge replies, “Well old Buck, if you say so, I suppose I must, but I know it will be of no use, for I feel that I haven’t got a leg to stand on.” Meanwhile, Abraham Lincoln leans against a rail fence at the far right and says, “Go it ye cripples! wooden legs are cheap, but stumping wont save you.

Item #27253, $3,500

Rare 1870 Yale University Summer Boat Races Broadside

YALE UNIVERSITY, Yale Summer Races! At Lake Saltonstall, on Tuesday, June 28th, 1870. New Haven: Hoggson & Robinson. broadside, 29 x 41 inches, on yellow paper.

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A very large letterpress broadside for three intramural Yale boat races on Lake Saltonstall in East Haven, Connecticut. Participants rowed in racing shells, double sculls, and wherries, contesting for cash prizes. Excursion trains from downtown New Haven cost 50 cents, and a band enlivened the afternoon.

Item #24873, $3,500

Cartoonist Attacks Lincoln’s Presidential Aspirations

[ABRAHAM LINCOLN], Printed Document. N.p., ca. 1860. 1 p., 8¼ x 10½ in.

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This anti-Lincoln cartoon features two Lincolns sitting back-to-back on a stump. The Lincoln on the left, captioned “Honest old Abe on the Stump. Springfield 1858,” says, “Nobody ever expected me to be President. In my poor, lean, lank face, nobody has ever seen that any Cabbages were sprouting out.” The Lincoln on the right, captioned “Honest old Abe on the Stump at the ratification Meeting of Presidential Nominations. Springfield 1860,” says “I come to see, and be seen.” The implication is that he is a two-faced politician.

Item #27055, $3,900

Large 1801 Folio Engraving of Thomas Jefferson as New President

[THOMAS JEFFERSON], Print. Engraved by David Edwin, published by George Helmbold Jr., 1801. 1 p., 13 x 19¾ in. (image); 14⅞ x 22 ½ in. (sheet). , 1/1/1801.

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This engraving by David Edwin pictures Jefferson standing beside a table, with his hand on a desktop globe. Edwin copied the head from the Rembrandt Peale portrait of 1800. Edwin placed Jefferson in a black suit in a formal setting, comparable to the 1796 portrait of George Washington by Gilbert Stuart (known as the “Lansdowne” portrait because it was commissioned as a gift for William Petty, first Marquis of Lansdowne).

Item #25421, $4,500

Miscegenation, or the Millennium of Abolitionism – Stirring Fear of Interracial Marriage Before 1864 Presidential Election

[ABRAHAM LINCOLN]. [RACISM], Print. “Miscegenation, or the Millennium of Abolitionism.” Political Cartoon. New York: Bromley & Co., 1864. 1 p., 20¾ x 13⅝ in.

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The second in a series of four racist political cartoons published in 1864 by Bromley & Company, which was closely affiliated with the Copperhead New York World newspaper. These prints sought to undermine Abraham Lincoln’s chances for reelection by branding him as a “miscegenationist” and playing on white fears of “race-mixing.” The cartoon scene pictures several interracial couples enjoying a day at the park, eating ice cream, discussing wedding plans, and a woman’s upcoming lecture. Two African American families have white employees, a carriage driver and footmen and a babysitter.

The only other example traced at auction brought $7,800 in 2010.

Item #25614, $6,500

George Washington: Rare 1777 Revolutionary War Hand Colored Engraving

[GEORGE WASHINGTON], Print. With captions in English and French: “George Washington Eqer General and Commander en Chief of the Continental Army in America . . . d’Apres l’Original de Champbell [sic] Peintre de Williambourg Capitale de la Virginie.” Likely published in Paris, ca. 1777 to 1780. 1 p. 7.75 x 11.75 in. in a wooden frame 10 x 14.5 in.

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Lovely condition, drum-mounted on board, original full hand-coloring. Framed. Line engraving derived from the portrait done by “Alexander Campbell” with facial elements after the  Nuremberg version of the print. This enjoys the independent addition of battle flags placed within the image to flank the portrait.

Item #27113, $12,500

Rare Important Declaration of Independence Linen Handkerchief

DECLARATION OF INDEPENDENCE, Printed Cotton Handkerchief, ca. 1821. 31 x 33 in.

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The intricate design of this handkerchief features images of Washington, Adams, and Jefferson, beneath an eagle and flags. In the center appears the text of the Declaration of Independence, together with facsimiles of the signatures. An oak wreath with acorns surrounds the text and features images of the seals of the thirteen original states. An image at lower left depicts the Boston Tea Party with the caption, “The Patriotic Bostonians discharging the British Ships in Boston harbour.” An image at lower right depicts “General Burgoyne’s Surrender to General Gates at Saratoga.” Around the edge runs a stars and rope border with anchors at each corner and at the center of each side. The design was printed with red ink using a copper plate.

The design draws much from prints of the Declaration of Independence by William Woodruff, published in February 1819, and John Binns, published in October 1819.

Item #26474, $38,000