This newspaper features a masthead by noted silversmith and engraver Paul Revere, first used on January 1, 1770. The masthead features an illustration of a seated woman on the right with a laurel wreath on her brow and a lance with a liberty cap in her hand and the shield of Britain at her feet. She is opening the door to a birdcage and releasing a dove. A tree adorns the left side, and a town is visible in the distance. Beneath the image is the epigram, “Containing the freshest Advices, Foreign and Domestic.”

This issue publishes a series of letters from Thomas Hutchinson in the late 1760s, demonstrating that Hutchinson had sought the post of governor. The publication of these and other letters by Hutchinson convinced many that he had conspired with Parliament to deprive the American colonists of their rights. Hutchinson left Boston for England in early 1774, and his request for leave was granted. General Thomas Gage replaced him as governor of Massachusetts Bay in May 1774, but Hutchinson’s letters continued, even in December 1775, to be evidence to American patriots that the British sought to strip them of their rights.

“Shame, Shame, to take the Advantage of your country in such an oppressive degree…we are sensible of the Mortal Wounds we Received and do receive from you.”

“you have only entertained us with some loose declamations upon abuses in the English government; and shocked us, for want of better arguments, by a perversion of things sacred; filling the papers with personal invectives, and calumnies against all who cannot swallow, at a venture, every crude notion, you may cook up as the politics of the day. This will as little agree with the stomachs of others as with mine; although I have declared that, when the last necessity comes, I have no expedient in view but to take my chance with you, for better and for worse.”

“Liberty or Slavery is now the question. Let us but fairly discover to the inhabitants of these Colonies on which side Liberty has erected her banner and we will leave it to them to determine whether they would choose Liberty tho’ accompanied with war, or Slavery attended by peace.”

The central image has a full length Standing Portrait of George Washington as President with his sword, after the original painting by Gilbert Stuart painted for William Constable, better known as the “Landsdowne Portrait.” Washington’s portrait is framed by a portion of his farewell address on the left, and his epitaph on the right. The bottom bears three panels, including the Great Seal of the United States, a sailing ship scene labeled “Commercial Union,” and “The British Lion.”

“In Testimony, as well as of his exalted Services to his Country as of that noble

Philanthropy which distinguishes Him among Masons”

This is the scarce first American edition of the Grand Lodge of Pennsylvania’s Masonic Constitution, dedicated to Washington as “General and Commander in Chief of the Armies of the United States of America.”

The 1778 sermon included in this volume carries a similar dedication, as well as a detailed description of the procession in which “our illustrious Brother George Washington” marched as guest of honor. The sermon itself contains a remarkably prescient characterization of Washington as an American Cincinnatus. The volume’s fine frontispiece engraving of two Masonic coats-of-arms is by Robert Scot (Scott), future chief engraver of the United States Mint.

Chief Justice John Marshall’s magisterial biography of George Washington was originally a five-volume set. This 1840 publication, revised and issued in two volumes, also includes the 1832 companion atlas of maps relating to the Revolutionary War.

This issue of the Boston Weekly News-Letter features a report of early conflicts between the British and French empires in coastal Georgia in the early stages of the War of Jenkin’s Ear.

“Those who expect to reap the blessings of freedom, must, like men, undergo the fatigues of supporting it.” (p2/c2)

“We fight not to enslave, but to set a country free, and to make room upon the earth for honest men to live in.” (p3/c1)

This first issue of The Connecticut Courant and Hartford Weekly Intelligencer publishedafter the death of editor and publisher Ebenezer Watson at age 33 features No. 4 of Thomas Paine’s The American Crisis, a series of sixteen pamphlets, published over the pseudonym “Common Sense.” Paine was serving as a volunteer aide-de-camp to General Nathanael Greene and sent dispatches to Philadelphia newspapers about events in the field. Paine wrote sixteen pamphlets in the series, which he entitled The American Crisis, issued in thirteen numbered pamphlets and three additional unnumbered ones between December 1776 and 1783. His first number began with the famous sentence, “These are the times that try men’s souls.”

The Stone/Force printings are the best representation of the Declaration as it was when members of the Continental Congress put their lives on the line to sign it in August of 1776. 

With its warning call for “the Preservation of our invaluable Rights” punctuated by the instantly recognizable signature of John Hancock, this 1768 letter is an important precursor to American independence. The selectmen of Boston lay out key issues: the “unconstitutional” imposition of taxes, obstruction of petitions for redress, dissolution of representative government, and introduction of a standing army to enforce the oppressive mandates—“one of the greatest Distresses to which a free People can be reduced.” 

The call for a convention was answered immediately. Nine days later, on September 23, representatives from 96 Massachusetts towns met in Boston’s Faneuil Hall. Five days after that, warships arrived in Boston Harbor with the first British reinforcements. The convention hastily composed a list of grievances, passed several resolutions, and adjourned. On September 30, royal transports unloaded two regiments at the Long Wharf, beginning the British military occupation of Boston that lasted until March 17, 1776. 

“No taxation without representation.” is now thought of as the catchphrase for the patriot cause. Though often attributed to James Otis, no proof of his use of the phrase has been found. The February 1768 London Magazine contains the earliest known printing, in a subhead introducing a speech on the declaratory bill. Lord Camden stated that “taxation and representation are inseparably united,” and the editor added “no taxation without representation.” The first known usage relating to America was printed in 1771 for the prior year’s The Political Register and Impartial Review, in “A Dissertation on the original Dispute between Great-Britain and her Colonies,” by Demophoon. 

The substance of the rallying cry is captured here, in the argument of Hancock and his fellow selectmen that the punitive taxes have been imposed on the Colonies “without their Consent,” through “Acts of Parliament in the forming of which the Colonies have not, and cannot have any constitutional Influence.” 

The Boston selectmen’s circular letter, with its successful call for a colony-wide convention, represents an important precedent for the creation of ad hoc governing institutions in revolutionary America, from the Committees of Correspondence and Committees of Safety to the Continental Congresses. In bypassing royal prerogative to constitute a political body capable of representing the popular will, Massachusetts patriots sowed the seeds for republican government and independence in America. 

Very rare. Only one other signed copy is presently known in private hands, and just four are recorded in institutional collections. It seems likely that many other copies went out with clerical signatures.

Historical Background
In 1816, the publisher John Binns was the first to announce plans to publish a decorative broadside of the Declaration of Independence, to be sold by subscription for $10 each. The project was completed in 1819, by which time four others had already imitated the idea and issued less ornate and less expensive copies, including a pirated copy of the Binns. Binns later said that his publication cost him $9,000, an astonishing amount at that time.

In a prospectus accompanying an incomplete state of the print submitted for copyright on November 4, 1818, Binns describes the work: “The Design in imitation of Bas Relief, will encircle the Declaration as a cordon of honor, surmounted by the Arms of the United States. Immediately underneath the arms, will be a large medallion portrait of General George Washington, supported by cornucopias, and embellished with spears, flags, and other Military trophies and emblems. On the one side of this medallion portrait, will be a similar portrait of John Hancock,...and on the other, a portrait of Thomas Jefferson, author of the Declaration of Independence. The arms of ‘The Thirteen United States’ in medallion, united by wreaths of olive leaves, will form the remainder of the cordon, which will be further enriched by some of the characteristic productions of the United States; such as the Tobacco and Indigo plants, the Cotton Shrub, Rice &c. The facsimiles will be engraved by Mr. Vallance, who will execute the important part of the publication at the City of Washington, where, by permission of the Secretary of State, he will have the original signatures constantly under his eye.”

The Binns broadside bears an engraved facsimile attestation to the accuracy of the document by John Quincy Adams, then Secretary of State, from April 19, 1819: “I certify, that this is a Correct copy of the original Declaration of Independence, deposited at this Department; and that I have compared all the signatures with those of the original, and have found them Exact Imitations.”

Despite the competition, Binns’ print remains the best decorative reproduction of the Declaration of Independence. Binns wanted to have his copy adopted as official, and one was displayed in the House of Representatives. For political reasons—and perhaps because Binns failed to include an engraving of John Adams—John Quincy Adams soon after commissioned William J. Stone to make an exact facsimile in 1823.

The Library Company of Philadelphia owns the original copper printing plate for this print.

“It is not yet too late for the King to recover the Affections of his Subjects in America… If more Troops should be sent over, and any Blows sh^d happen to the Northward, there will be as great a Passion in America for the Relief of Boston as ever there was for Croisades to Jerusalem… They act here from a Persuasion that a determined System is now formed to tax or enslave them…. The People mean well, they should not be forced to give up what they verily believe to be their Rights…”

Bryan Fairfax wrote this fascinating letter from Virginia to an influential Englishman. (His cousin, Lord Thomas Fairfax, is at least a plausible guess as to the recipient). Fairfax describes the American reaction to the Intolerable Acts and the Boston Port Act, urging the recipient to use his power in England to have them repealed. Fairfax originally signed the letter. Perhaps considering the wisdom of having a name attached to such a passionate letter, he or a reader scratched it out. Whether immediately after writing, or within the next couple of years once the Revolutionary War began in earnest, we cannot tell.

Despite major differences as to their approaches, Fairfax notes, “as to the Virginians I can answer for their good Intentions.” Fairfax and Washington’s correspondence in July and August reveal their major difference: Fairfax believed the British could still be persuaded by arguments, while Washington believed that repeated failures to even acknowledge successive colonial petitions and supplications showed that the British had determined to subjugate the colonies.

The Stone/Force printings are the best representation of the Declaration as it was when members of the Continental Congress put their lives on the line to sign it in August of 1776.