This political cartoon vividly illustrates the conflicts over the operation of the strengthened Fugitive Slave Law, passed by Congress as part of the Compromise of 1850. At the left, an African-American woman cries, “Oh Massa Garrison, protect me!!!” Beside her stand abolitionists William Lloyd Garrison and Frederick Douglass, armed with pistols. Garrison reassures her, “Do’nt be alarmed Susanna you’re safe enough.” At center right, a figure representing the slave interests rides atop Daniel Webster, a chief architect of the Compromise, who is down on his hands and knees. The figure says, “Do’nt back out Webster, if you do we’re ruin’d,” and Webster, clutching the Constitution, responds, “This, though Constitutional, is extremely disagreeable.” Another proslavery figure carries large volumes labeled “Law & Gospel” and declares, “We will give these fellows a touch of Old South Carolina,” while another says, “I goes in for Law & Order.” In the background, from the “Temple of Liberty” wave two flags with the inscriptions, “A day, an hour, of virtuous Liberty, is worth an age of Servitude” and “All men are born free & equal.”

The artist "E.C." is possibly Edward Williams Clay, but cataloging at the Library of Congress concludes that “the signature, the expressive animation of the figures, and especially the political viewpoint are, however, uncharacteristic of Clay.”

“what shall I say of Douglas’s infamous Nebraska bill now I suppose pending in the Senate  I feel indeed at a loss for language to convey my abhorrence of so vile a scheme.... I never knew such united indignation against any thing as pervades the community here respecting the bill…”

A Quaker farmer in western New York writes to his representative in Congress, mentioning a petition (not present) and universal opposition. He praises Morgan’s letter to New Yorkers as “plain unvarnished protest against wickedness.” Within three months, the Nebraska bill became the Kansas-Nebraska Act.

“Planters! Here’s a chance, Here are limbs to work or dance…”

Scarce English abolitionist music signed in print by composer Henry Russell on the front page.

In Dred Scott v. Sandford (1857), Chief Justice Roger Taney wrote for a 6-2 majority, declaring that all blacks, slaves as well as free, were not and could never become citizens of the United States. The court also declared the 1820 Missouri Compromise, and any law that prohibited slavery in a territory, to be unconstitutional, and that slaves did not become free when taken into free territory.

In Dred Scott v. Sandford (1857), the Supreme Court declared that blacks could not be United States citizens and that the 1820 Missouri Compromise was unconstitutional. The decision inflamed sectional tensions and helped trigger the Civil War. The decision was published simultaneously in New York and Washington, D.C. Both are considered the First Edition. In his “House Divided” Speech, Lincoln replied that the decision did “obvious violence to the plain unmistakable language” of the Declaration of Independence and our other founding documents.

“Every slave … who shall come or be brought, or be involuntarily in this state shall be free.”