These lands are probably of more fundamental consequence to the whole people than any other public lands… Might it not be well for the government to retain title and to lease the right to mine upon such terms as would attract the investment of capital for this purpose?”

Just over three months after signing the Hepburn Act, giving the Interstate Commerce Commission real regulatory power, Roosevelt responded to a letter from its Acting Chairman who was complaining of coal monopolies created by the railroads. Roosevelt strongly supports the Hepburn Act, telling Clements, “I will back you up to the limit in compelling the railroad companies to afford the independent producers proper track connections and proper transportation facilities as well as to carry the coal for reasonable charges.” Roosevelt also asserts that the nation must maintain control of its coal lands, an increasingly valuable resource in the railway age: “we should not part with anymore coal lands.”

“there are serious, very serious, choices of policy to be made, and made immediately, which it was neither right nor constitutionally permissible that I should assume the responsibility of making.”

In this address to Congress, President Woodrow Wilson reluctantly requests a declaration of war on Imperial Germany because of its announcement that “it was its purpose to put aside all restraints of law or of humanity and use its submarines to sink every vessel that sought to approach either the ports of Great Britain and Ireland or the western coasts of Europe or any of the ports controlled by the enemies of Germany within the Mediterranean.” Germany had cast aside its earlier restraint and begun to pursue unrestricted submarine warfare on vessels from every nation with a “reckless lack of compassion or of principle.”

Lovely condition, drum-mounted on board, original full hand-coloring. Framed. Line engraving derived from the portrait done by “Alexander Campbell” with facial elements after the  Nuremberg version of the print. This enjoys the independent addition of battle flags placed within the image to flank the portrait.

Dedicatory inscription on verso of title page (partly cropped by binder), handwritten in Hebrew by Imber: “To my wise friend, the linguist... of the periodical HaZvi in Jerusalem. [...] The renowned wordsmith from the ranks of the Jewish sages [...], Ben-Yehuda. This booklet is a memento from the author.”

Inked stamps on title page and on several additional pages (Hebrew): “House of Reading and [Home of] the Book Collection, Jerusalem, may it be rebuilt and reestablished” / “Beit Sefarim Livnei Yisrael... Yerusahalayim…” [House of Books for the Children of Israel in the Holy City of Jerusalem]. The library known as “Beit Sefarim Livnei Yisrael” was established in Jerusalem by a group of scholars led by Eliezer Ben-Yehuda in 1884 (upon its closing in 1894, its book collection was transferred to the Midrash Abarbanel Library, which eventually evolved into the National Library of Israel.)

In 1886, prior to the publication Barkai, Imber published the following advertisement in Eliezer Ben-Yehuda's Hebrew-language newspaper, HaZvi (2nd year, Issue No. 36): “There is a book with me among my writings [to] which I have given the title ‘Barkai’ [...] Any printer who wishes to purchase it from me in order to publish it should contact me...” An editor’s note follows the advertisement: “We have seen these poems which have been written by Mr. Imber, and [regard them] in keeping with the principle to which we adhere, ‘Look upon the vessel and relate not to its creator' [in a play on words on the chorus of the well-known liturgical poem for the Day of Atonement, ‘Ki Hineh KaHomer’]. It is incumbent upon us to state that the spirit of lofty poetry hovers over them; their thoughts are pleasant and desirable. The language in them is pristine and clear, and the ideas are exceptional. Many of these poems are worthy of becoming national songs. In general, these poems are faithful national songs, writings of a distinguished poet.”

VI, [2], 127, [1] pp., 15.5 cm. Good-fair condition. Stains, mostly to first and last leaves. Tears, some open and some long, to title page and to several other leaves, mostly restored with paper or mended with adhesive tape. Handwritten notations to some pages. New binding and endpapers.