After the Declaration of Independence was read to the Continental Army in New York on July 9, 1776, a boisterous crowd of soldiers, sailors and citizens headed to the huge gilt lead equestrian statue of King George III which had been installed on Bowling Green only six years earlier. The crowd toppled his Majesty, who then made his first Broadway appearance before being carted to Connecticut. The head was rescued by Tory sympathizers, and later spotted in the home of Lord Townshend. The rest of the King and the horse he rode in on was melted down. In a truly epic burn, Ebenezer Hazard remarked that the redcoats “will probably have melted majesty fired at them.” Indeed they did; the sculpture was used to make 42,088 bullets.

Revere’s print quickly became one of the most successful examples of political propaganda of all time. The depiction of the event, and a poem printed below, vilify the British Army and list the first casualties of the American Revolution: “Unhappy Boston! see thy Sons deplore, Thy hallow’d Walks besmear’d with guiltless Gore...The unhappy Sufferers were Mess[ieur]s Saml Gray, Saml Maverick, Jams Caldwell, Crispus Attucks & Pat[ric]K Carr Killed. Six wounded; two of them (Christr Monk & John Clark) Mortally...” Rushed into print less than a month after the event, Revere’s print helped unite the colonists and, in American minds, cast the British as aggressive oppressors— making rebellion easier to justify.