“there are serious, very serious, choices of policy to be made, and made immediately, which it was neither right nor constitutionally permissible that I should assume the responsibility of making.”

In this address to Congress, President Woodrow Wilson reluctantly requests a declaration of war on Imperial Germany because of its announcement that “it was its purpose to put aside all restraints of law or of humanity and use its submarines to sink every vessel that sought to approach either the ports of Great Britain and Ireland or the western coasts of Europe or any of the ports controlled by the enemies of Germany within the Mediterranean.” Germany had cast aside its earlier restraint and begun to pursue unrestricted submarine warfare on vessels from every nation with a “reckless lack of compassion or of principle.”

Jefferson chose specific editions of the works of Aeschylus in English, French, Greek, and Latin, and had them cut up and rebound to make this unique set of seven volumes. In addition to ten of his customary ownership autograph initials (on signatures “I” and “T” throughout the set) parts of four title-pages have autograph amendments by Jefferson and there are approximately 18 marginal autograph annotations, presumably made by him (largely in Vols. IV and V).

This was the second time Jefferson owned these translations. The first set he acquired was sold to Congress as part of his library in 1815.

Lovely condition, drum-mounted on board, original full hand-coloring. Framed. Line engraving derived from the portrait done by “Alexander Campbell” with facial elements after the  Nuremberg version of the print. This enjoys the independent addition of battle flags placed within the image to flank the portrait.

Dedicatory inscription on verso of title page (partly cropped by binder), handwritten in Hebrew by Imber: “To my wise friend, the linguist... of the periodical HaZvi in Jerusalem. [...] The renowned wordsmith from the ranks of the Jewish sages [...], Ben-Yehuda. This booklet is a memento from the author.”

Inked stamps on title page and on several additional pages (Hebrew): “House of Reading and [Home of] the Book Collection, Jerusalem, may it be rebuilt and reestablished” / “Beit Sefarim Livnei Yisrael... Yerusahalayim…” [House of Books for the Children of Israel in the Holy City of Jerusalem]. The library known as “Beit Sefarim Livnei Yisrael” was established in Jerusalem by a group of scholars led by Eliezer Ben-Yehuda in 1884 (upon its closing in 1894, its book collection was transferred to the Midrash Abarbanel Library, which eventually evolved into the National Library of Israel.)

In 1886, prior to the publication Barkai, Imber published the following advertisement in Eliezer Ben-Yehuda's Hebrew-language newspaper, HaZvi (2nd year, Issue No. 36): “There is a book with me among my writings [to] which I have given the title ‘Barkai’ [...] Any printer who wishes to purchase it from me in order to publish it should contact me...” An editor’s note follows the advertisement: “We have seen these poems which have been written by Mr. Imber, and [regard them] in keeping with the principle to which we adhere, ‘Look upon the vessel and relate not to its creator' [in a play on words on the chorus of the well-known liturgical poem for the Day of Atonement, ‘Ki Hineh KaHomer’]. It is incumbent upon us to state that the spirit of lofty poetry hovers over them; their thoughts are pleasant and desirable. The language in them is pristine and clear, and the ideas are exceptional. Many of these poems are worthy of becoming national songs. In general, these poems are faithful national songs, writings of a distinguished poet.”

VI, [2], 127, [1] pp., 15.5 cm. Good-fair condition. Stains, mostly to first and last leaves. Tears, some open and some long, to title page and to several other leaves, mostly restored with paper or mended with adhesive tape. Handwritten notations to some pages. New binding and endpapers.

These lands are probably of more fundamental consequence to the whole people than any other public lands… Might it not be well for the government to retain title and to lease the right to mine upon such terms as would attract the investment of capital for this purpose?”

Just over three months after signing the Hepburn Act, giving the Interstate Commerce Commission real regulatory power, Roosevelt responded to a letter from its Acting Chairman who was complaining of coal monopolies created by the railroads. Roosevelt strongly supports the Hepburn Act, telling Clements, “I will back you up to the limit in compelling the railroad companies to afford the independent producers proper track connections and proper transportation facilities as well as to carry the coal for reasonable charges.” Roosevelt also asserts that the nation must maintain control of its coal lands, an increasingly valuable resource in the railway age: “we should not part with anymore coal lands.”

Through this indenture, merchant Frederick Philipse sells to boatsman Joris Jansen a house and lot in New York City that Phillips had purchased from Alexander Watts and his wife.

A future hero of the French and Indian War leases Turtle Bay for fifty years of use by the British Navy. From the beginning of European settlement, it offered sailing vessels refuge from the East River’s treacherous currents and winter storms. Today, it helps weather different kinds of storms: it was filled in and is the site of the present United Nations complex.

“It is not the cause of a poor printer...it is the cause of liberty.”

This volume, printed in London three decades after John Peter Zenger’s trial, illustrates the continuing relevance of his acquittal to the freedom of the press. The volume also includes the story of William Owen, a London bookseller, who had been prosecuted for libel at the request of the House of Commons in 1752. Like Zenger, Owen was also acquitted by a jury.

John Almon, a publisher and bookseller known for his commitment to the freedom of the press, printed the volume as part of his challenge to governmental censorship of the press. In the same year that Almon published this pamphlet, the attorney general prosecuted him for the publication of a pamphlet entitled Juries and Libels, but the prosecution failed.

This issue of Franklin’s Pennsylvania Gazette reports the speech of Deputy Governor Morris of Pennsylvania to the General Assembly, urging them to prevent the French and their Native American allies from gaining control of the colony’s western border. The General Assembly responded that they were eager to assist but lacked any “Instructions from the Crown how to conduct ourselves on this important Occasion” and requested a recess until called together again.

Broadside with a woodcut vignette of royal British arms at the top and woodcut initial. Some loss to upper right corner, a few nicks to the left and right margins. Penned inscription on the back.

Reference: Evans 8568; ESTC W34681 (locating only 2 copies)

Chartered in 1764, Rhode Island College - now Brown University - began in Warren, Rhode Island. The college’s first commencement, held on September 7, 1769, was the only one in Warren. In 1770, the college moved to Providence, and in 1804, the name was changed to Brown University.

This broadside, issued under the authority of the first chancellor, Stephen Hopkins, lists the seven members of the college’s first graduating class: Joseph Belton, Joseph Eaton, William Rogers, Richard Stites, Charles Thompson, James Mitchell Varnum, and William Williams.

The commencement was held at the Baptist Church in Warren. The event’s principal feature was a “Disputatio forensica,” or forensic debate, on the thesis “The Americans, in their present Circumstances, cannot, consistent with good Policy, affect to become an independent State.” According to reporting in The Newport MercurySeptember 11, 1769, James Mitchell Varnum (the future Continental Army General) defended the thesis “by cogent arguments,” and William Williams opposed it “subtilely, but delicately.” The president and graduating students made their opinion evident in their apparel; all were dressed in American manufactures. William Rogers also delivered an oration on benevolence, and Richard Stites gave an oration in Latin on the advantages of liberty and learning. Charles Thompson delivered the valedictory oration.

This newspaper features a masthead by noted silversmith and engraver Paul Revere, first used on January 1, 1770. The masthead features an illustration of a seated woman on the right with a laurel wreath on her brow and a lance with a liberty cap in her hand and the shield of Britain at her feet. She is opening the door to a birdcage and releasing a dove. A tree adorns the left side, and a town is visible in the distance. Beneath the image is the epigram, “Containing the freshest Advices, Foreign and Domestic.”

This issue publishes a series of letters from Thomas Hutchinson in the late 1760s, demonstrating that Hutchinson had sought the post of governor. The publication of these and other letters by Hutchinson convinced many that he had conspired with Parliament to deprive the American colonists of their rights. Hutchinson left Boston for England in early 1774, and his request for leave was granted. General Thomas Gage replaced him as governor of Massachusetts Bay in May 1774, but Hutchinson’s letters continued, even in December 1775, to be evidence to American patriots that the British sought to strip them of their rights.

“Mr. [Henry?]Wards Sentiments & Conduct relative to the Slave Trade are so universally known that it is unnecessary to say anything on that head…. We have therefore no Time to loose but ought to improve every moment in making all possible Preparations for the Defence of the Colonies in general”

This letter from Rhode Island’s delegates to the Second Continental Congress may have been directed to Acting Governor or Governor Nicholas Cooke in late 1775 or early 1776. It discusses the needs of the colonies to defend themselves against British incursions and criticizes a Rhode Islander who refused to support the Revolution.

The shakiness of Hopkins’s signatures is apparent. When he signed the Declaration of Independence, Hopkins said, “My hand trembles, but my heart does not.”

This resolution of the Second Continental Congress, approved days before it adopted the Declaration of Independence, defines a person as guilty of treason if they “levy war” against any of the united American colonies or give “aid and comfort” to any of their enemies. This resolution was the first public act to declare King George III the enemy and was a de facto declaration of independence.

The Stone/Force printings are the best representation of the Declaration as it was when members of the Continental Congress put their lives on the line to sign it in August of 1776. 

Due to a shortage of paper,The Pennsylvania Magazine: or American Monthly Museum, edited by Thomas Paine, held the June issue past its normal publication date (which would have been July 3^rd), allowing time for the last-minute insertion of the actual resolution of Congress declaring independence. The Pennsylvania Evening Post is the only other contemporary publication of the resolution we have found, in their July 2 issue.

Historical Background
In 1816, the publisher John Binns was the first to announce plans to publish a decorative broadside of the Declaration of Independence, to be sold by subscription for $10 each. The project was completed in 1819, by which time four others had already imitated the idea and issued less ornate and less expensive copies, including a pirated copy of the Binns. Binns later said that his publication cost him $9,000, an astonishing amount at that time.

In a prospectus accompanying an incomplete state of the print submitted for copyright on November 4, 1818, Binns describes the work: “The Design in imitation of Bas Relief, will encircle the Declaration as a cordon of honor, surmounted by the Arms of the United States. Immediately underneath the arms, will be a large medallion portrait of General George Washington, supported by cornucopias, and embellished with spears, flags, and other Military trophies and emblems. On the one side of this medallion portrait, will be a similar portrait of John Hancock,...and on the other, a portrait of Thomas Jefferson, author of the Declaration of Independence. The arms of ‘The Thirteen United States’ in medallion, united by wreaths of olive leaves, will form the remainder of the cordon, which will be further enriched by some of the characteristic productions of the United States; such as the Tobacco and Indigo plants, the Cotton Shrub, Rice &c. The facsimiles will be engraved by Mr. Vallance, who will execute the important part of the publication at the City of Washington, where, by permission of the Secretary of State, he will have the original signatures constantly under his eye.”

The Binns broadside bears an engraved facsimile attestation to the accuracy of the document by John Quincy Adams, then Secretary of State, from April 19, 1819: “I certify, that this is a Correct copy of the original Declaration of Independence, deposited at this Department; and that I have compared all the signatures with those of the original, and have found them Exact Imitations.”

Despite the competition, Binns’ print remains the best decorative reproduction of the Declaration of Independence. Binns wanted to have his copy adopted as official, and one was displayed in the House of Representatives. For political reasons—and perhaps because Binns failed to include an engraving of John Adams—John Quincy Adams soon after commissioned William J. Stone to make an exact facsimile in 1823.

The Library Company of Philadelphia owns the original copper printing plate for this print.