Canadian photographer George Barker was one of the first professional photographers to visit Florida. In the late 1880s, he documented the landscapes and people of northern and central Florida. Barker took this large-format photograph of an African American cartman at the city gate of St. Augustine.

“We hope you will be able to be ‘one with us’ in the bazar.”

CAUGHT! Thomas Nast’s classic image of Santa Claus being hugged by a little girl graces the front cover of this issue of Harper’s Weekly.

The double-page centerfold is another nice Thomas Nast Christmas print, “Christmas Fancies – ‘Don’t You Wish You Wore Stockings?’,” showing children and their dog in front of a fireplace. Will Carleton’s poem, The Christmas Tree, is illustrated with art by Howard Pyle which fills nearly an entire page. Other prints include the “Electric Railway at Berlin, Prussia,” “The Ring Theatre, Vienna, Recently Destroyed by Fire,” “Hon. Frederick T. Frelinghuysen, Secretary of State,” “The Late John W. Forney,” “Short and Sweet – ‘It’s Too Too Too Funny!’,”  and “The Interrupted Journey.” Thomas Nast is credited with creating the modern version of Santa Claus.

While Douglass’s letters are scarce, documents signed during his tenure as recorder of deeds for the District of Columbia can be had very reasonably.

A unique and important artifact of his childhood.

The July 8, 1876 issue of Harper’s Weekly, containing a supplement celebrating the 100th anniversary of the Declaration of Independence, complete with a centerspread facsimile of one of Jefferson’s draft manuscripts and the signatures of the signers, along with related engravings.

Complete Translation

Dear Mademoiselle,

It will give me great pleasure to see my work figured in the respected publication of Mr. Harper. I am thinking of returning to New York on Monday and I will have the pleasure of bringing you, in person, the block and the notes that you asked for.

Would you be so kind to thank Mr. Harper for <2> his appreciation of my work and yourself accept the expression of my most devoted feelings of friendship.

                                                                        Bartholdi

Philadelphia 8 June 1876

Best known for his seminal Birds of America, Audubon’s prints are among the world’s most recognized images.

Best known for his seminal Birds of America, Audubon’s prints are among the world’s most recognized images.

A very large letterpress broadside for three intramural Yale boat races on Lake Saltonstall in East Haven, Connecticut. Participants rowed in racing shells, double sculls, and wherries, contesting for cash prizes. Excursion trains from downtown New Haven cost 50 cents, and a band enlivened the afternoon.

The colorful central image of this lithograph depicts a Black Zouave regiment on parade in Baltimore, Maryland, on May 19, 1870, to celebrate passage of the Fifteenth Amendment. Framing the central scene are vignettes and portraits of individuals important to the cause of African American men’s voting rights. Individuals pictured include Ulysses S. Grant, Frederick Douglass, Martin R. Delany (first U.S. Army African American field officer), Hiram R. Revels (first African American U.S. Senator), Schuyler Colfax, Abraham Lincoln, and John Brown. The portraits are interspersed with vignettes showing scenes of African Americans reading the Emancipation Proclamation, marrying, leading troops in battle, worshiping, voting, sitting in Congress, among other activities, with captions: “We till Our Own Fields; Education Will Prove the Equality of the Races;  The ballot box is Open to Us; [Masonic scene]We Unite in the Bonds of Fellowship with the Whole Human Race; Liberty Protects the Marriage Alter; The Holy Ordinance of Religion are Free; Freedom Unites the Family Circle; We Will Protect our Country as it Defends our Rights; Our Charter of Rights is the Holy Scripture.”

Considered the “finest line-engraving” of Lincoln, Marshall created this in 1866 from his painting of the martyred President. In November 1866, Ticknor and Fields of Boston announced that they would publish Marshall’s engraving on a subscription basis.

“Neither slavery nor involuntary servitude,...shall exist within the United States....”