The intricate design of this handkerchief features images of Washington, Adams, and Jefferson, beneath an eagle and flags. In the center appears the text of the Declaration of Independence, together with facsimiles of the signatures. An oak wreath with acorns surrounds the text and features images of the seals of the thirteen original states. An image at lower left depicts the Boston Tea Party with the caption, “The Patriotic Bostonians discharging the British Ships in Boston harbour.” An image at lower right depicts “General Burgoyne’s Surrender to General Gates at Saratoga.” Around the edge runs a stars and rope border with anchors at each corner and at the center of each side. The design was printed with red ink using a copper plate.

The design draws much from prints of the Declaration of Independence by William Woodruff, published in February 1819, and John Binns, published in October 1819.

Lovely condition, drum-mounted on board, original full hand-coloring. Framed. Line engraving derived from the portrait done by “Alexander Campbell” with facial elements after the  Nuremberg version of the print. This enjoys the independent addition of battle flags placed within the image to flank the portrait.

The colorful central image of this lithograph depicts a Black Zouave regiment on parade in Baltimore, Maryland, on May 19, 1870, to celebrate passage of the Fifteenth Amendment. Framing the central scene are vignettes and portraits of individuals important to the cause of African American men’s voting rights. Individuals pictured include Ulysses S. Grant, Frederick Douglass, Martin R. Delany (first U.S. Army African American field officer), Hiram R. Revels (first African American U.S. Senator), Schuyler Colfax, Abraham Lincoln, and John Brown. The portraits are interspersed with vignettes showing scenes of African Americans reading the Emancipation Proclamation, marrying, leading troops in battle, worshiping, voting, sitting in Congress, among other activities, with captions: “We till Our Own Fields; Education Will Prove the Equality of the Races;  The ballot box is Open to Us; [Masonic scene]We Unite in the Bonds of Fellowship with the Whole Human Race; Liberty Protects the Marriage Alter; The Holy Ordinance of Religion are Free; Freedom Unites the Family Circle; We Will Protect our Country as it Defends our Rights; Our Charter of Rights is the Holy Scripture.”

The second in a series of four racist political cartoons published in 1864 by Bromley & Company, which was closely affiliated with the Copperhead New York World newspaper. These prints sought to undermine Abraham Lincoln’s chances for reelection by branding him as a “miscegenationist” and playing on white fears of “race-mixing.” The cartoon scene pictures several interracial couples enjoying a day at the park, eating ice cream, discussing wedding plans, and a woman’s upcoming lecture. Two African American families have white employees, a carriage driver and footmen and a babysitter.

The only other example traced at auction brought $7,800 in 2010.