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Washington’s Personal Secretary
Tobias Lear’s Copy of History of Russia

[TOBIAS LEAR], Signed book. William Tooke, History of Russia. London, Strahan, 1800. Two volumes, 8vo, full leather, some repair to binding, fine overall. All four plates present. The folding map is foxed, but complete without major tears. Both volumes are signed “Tobias Lear Malta, Oct 13th, 1804” in ornate, formal hand. Provenance: Tobias Lear; to Benjamin Lincoln Lear, with Benjamin’s bookplate.

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Item #22021.02, $2,500

Harriet Beecher Stowe’s Uncle Tom’s Cabin From 1852 – Year of First Publication – Presented “in 1881 by Mrs. Ann Lewis, a colored friend, as her choice treasure.”

[HARRIET BEECHER STOWE], Uncle Tom’s Cabin,; or, Life Among the Lowly. Boston: John P Jewett & Company, and Cleveland, Ohio: Jewett, Proctor & Worthington, 1852. The first edition was issued in Boston by the same publisher earlier in the same year. Its immediate success is witnessed by an addition to the imprint above the publisher’s name: “Seventieth Thousand.” Two volumes, 312 and 322 pp. respectively, both inscribed, “The Crawford’s/ Ithaca/ New York/ Presented in 1881 by Mrs. Ann Lewis, a colored friend, as her choice treasure.” With later pencil inscription, “Given to Mr & Mrs E.M. Newton by Mrs Crawford/ Sept 16 1924.

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Item #24794, $2,200

“A Visit from St. Nicholas” First Publication to Identify Clement C. Moore as the Author of The Night Before Christmas and First Publication in Book Form

CLEMENT CLARKE MOORE (1779-1863), with many other authors, in The New York Book of Poetry. N.Y.: George Dearborn, 1837. Printed by Scatcherd & Adams. Additional engraved title with large vignette. First edition, with a presentation inscription on the front fly-leaf from publisher Dearborn to William Duer (president of Columbia university from 1829-1842): “Wm Duer with the respects of the publisher.” 5-1/8 x 9-1/8 in., 253 pp.

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This publication is the first time that Moore is identified in print as the author of his famous poem, and the first appearance (other than from almanacs) of the poem in book form.

Item #21681, $1,750

A Scarce Record of Thomas Dorr’s Trial for Treason
After His Failed Revolt

JOSEPH S. PITMAN. [DORR WAR], Book. Report of the Trial of Thomas Wilson Dorr, for Treason; Including the Testimony at Length...Together with the Sentence of the Court, and the Speech of Mr. Dorr Before Sentence. Providence, R.I., B.F. Moore, 1844. 1st ed., 115 pp., 5 1/3 x 8¾ in.

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Item #22542, $1,250

Presidential Secretary Tobias Lear’s Copy of Erasmus of Rotterdam’s English-Latin Humanistic Philosophies

TOBIAS LEAR, Signed Book, Erasmus’s Select Colloquies. London, 1766. In Latin and English. Signed “Tobias Lear ejus Liber ex dono Patris iri anno domini noster 1773” on the rear free fly. A rough copy, rubbed, boards separating but present. Also signed by Tobias Sherburne and Benjamin Lincoln Lear at front.

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Item #22021.04, $1,000

Comprehensive Report on New York’s Institutionalized Poor

[NEW YORK], Book. First Annual Report of the Governors of the Alms House New York, for the Year 1849. New York, N.Y., George Nesbitt, 1850. 1st ed., 199 pp., 5¾ x 9 in. Folding charts, pictorial front wrappers. With 10 tinted full page lithographs, including the “Colored Orphan’s Asylum.”

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Item #22548, $750

A General Account of … Using Atomic Energy
for Military Purposes

H.D. SMYTH, A General Account of … Using Atomic Energy for Military Purposes Under the Auspices of the United States Government 1940-1945. Written at the Request of Major General L. R. Groves, United States Army... Washington, DC: Superintendent of Documents. (1945). Book, 1945. 182 pp, illus. with 2 graphs. With ownership signature of “Erwin Hiebert” twice.

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Item #20807, $750

Mozart’s “La Bataille” Rare Autograph Musical Manuscript

WOLFGANG AMADEUS MOZART, Autograph Musical Manuscript, “La Bataille” K.535, a contredanse for orchestra. No place or date, but Vienna, by January 23, 1788. The complete work.

Six pages, consisting of an oblong quarto (ca. 23.3 x 31.8 cm) unbound bifolium plus a single leaf of 12-stave musical manuscript paper, with watermark of three moons and the initials “VA” (“AV”) beneath a crown (Tyson watermark 95). With autograph title “La Bataille” boldly written at head.

Notated in brown ink on one 8-stave system per page. Foliated in ink “1” – “3.” Uncut and with original deckled edges. Scored for two violins, flageolet (“flauto piccolo”), two clarinets, bassoon, trumpet, tenor drum (“trammel”), violoncello and double bass (“bassi”).

With occasional autograph corrections, deletions and revisions including an 8-bar addition to the “Marcia turca” and autograph superscripts marking the different sections of the work: “[Parte] 1ma [bb.1-16]... [Parte] 2da [bb. 17-32]... [Parte] 3za [bb. 33-48]... [Parte] 4ta [bb. 49-63]... Marcia turca [bb. 64-86].”

With additional modern foliation in pencil and several manuscript annotations in both ink and pencil including an attestation of authenticity to upper right-hand corner by George Nikolaus von Nissen (“Von Mozart und seiner Handschrift”), incorrectly dated “1791” in the hand of Johann Anton André; “No 8” to upper left-hand corner in the hand of the so-called “Grauer Schreiber,” who participated in the ordering of Mozart’s estate; “gestochen” (printed) in another hand; and the pencilled number “74” to right-hand margin (corresponding to the position of the work in Mozart’s own thematic catalogue).

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Item #24884, PRICE ON REQUEST
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