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Prints

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Miscegenation, or the Millennium of Abolitionism – Stirring Fear of Interracial Marriage Before 1864 Presidential Election

[ABRAHAM LINCOLN]. [RACISM], Print. “Miscegenation, or the Millennium of Abolitionism.” Political Cartoon. New York: Bromley & Co., 1864. 1 p., 20¾ x 13⅝ in.

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The second in a series of four racist political cartoons published in 1864 by Bromley & Company, which was closely affiliated with the Copperhead New York World newspaper. These prints sought to undermine Abraham Lincoln’s chances for reelection by branding him as a “miscegenationist” and playing on white fears of “race-mixing.” The cartoon scene pictures several interracial couples enjoying a day at the park, eating ice cream, discussing wedding plans, and a woman’s upcoming lecture. Two African American families have white employees, a carriage driver and footmen and a babysitter.

The only other example traced at auction brought $7,800 in 2010.

Item #25614, $6,500

Period Oil Portrait of William H. Seward Wonderfully Executed

[WILLIAM H. SEWARD], Oil Bust Portrait of Secretary of State William H. Seward, ca. 1864. Oil on board, 11 x 14 in. oval; framed to 17 x 20 in.

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Item #25611, $12,500

Rare Important Declaration of Independence Linen Handkerchief

DECLARATION OF INDEPENDENCE, Printed Cotton Handkerchief, ca. 1821. 31 x 33 in., framed to 35¼ x 37½ in.

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The intricate design of this handkerchief features images of Washington, Adams, and Jefferson, beneath an eagle and flags. In the center appears the text of the Declaration of Independence, together with facsimiles of the signatures. An oak wreath with acorns surrounds the text and features images of the seals of the thirteen original states. An image at lower left depicts the Boston Tea Party with the caption, “The Patriotic Bostonians discharging the British Ships in Boston harbour.” An image at lower right depicts “General Burgoyne’s Surrender to General Gates at Saratoga.” Around the edge runs a stars and rope border with anchors at each corner and at the center of each side. The design was printed with red ink using a copper plate.

The design draws much from prints of the Declaration of Independence by William Woodruff, published in February 1819, and John Binns, published in October 1819.

Item #26474, $28,000

Paul Revere’s Iconic Boston Massacre Print

PAUL REVERE, Engraving. “The Bloody Massacre perpetrated in King-Street Boston on March 5th 1770 by a party of the 29th Reg.” Printed by Edes & Gill, Boston, Mass., 1770. First edition, second state (clock showing 10:20), original hand coloring. 1 p., LVG watermark, 9⅝ x 12 in.

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Revere’s print quickly became one of the most successful examples of political propaganda of all time. The depiction of the event, and a poem printed below, vilify the British Army and list the first casualties of the American Revolution: “Unhappy Boston! see thy Sons deplore, Thy hallow’d Walks besmear’d with guiltless Gore...The unhappy Sufferers were Mess[ieur]s Saml Gray, Saml Maverick, Jams Caldwell, Crispus Attucks & Pat[ric]K Carr Killed. Six wounded; two of them (Christr Monk & John Clark) Mortally...” Rushed into print less than a month after the event, Revere’s print helped unite the colonists and, in American minds, cast the British as aggressive oppressors— making rebellion easier to justify.

Item #25697, $345,000
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